But how does this have anything on earth to do with
Bad Girls?
Well, we thought it might be fun and interesting, or at the very least
amusing, to attempt to put some numerical values not to letters or words,
but to certain general impressions that viewers have gotten from watching
the show.
Bad Girls depicted marginalized characters, normally
despised by society, in what feels like a very positive light. We felt
a bizarre need to generate firm, hard numbers to "prove"
whether
Bad Girls depicts lesbian characters in a more positive light
than straight characters. It has often
been said this is the case, and the legions of lesbian fans who follow the
show are surely evidence that it does. But can we prove it
mathematically? And what about the officers versus the prisoners? Are the
prisoners depicted in a more sympathetic light? Similarly, does
Bad Girls privilege lesbian relationships above
all others? Or is it just the show's intensely successful depiction of
one lesbian relationship in particular which gives us that impression?
All these questions, and more, will be answered in the charts below.
Methodology
In order to come up with numerical values which represent the show's
representations of men and women, gays and straights, we had to start by
assigning each significant character, and each significant relationship into
a category. For the individual characters, we identified them as male
or female, then straight or gay, prisoners or officers, and then good or evil or other. For
the relationships, we identified them as straight or gay, and then created
three categories: 1) In Love, 2) Casual, and 3) Insane.
In most cases, the categorizations were pretty clear. But of course as
in any endeavor of this slightly wacky sort—distilling complex, nuanced meaning down to
concrete numerical values—ambiguity arises. For instance, is Arun, the transgendered, seemingly bisexual but perhaps straight character
from season 7 straight or gay? Is Neil Grayling good or evil?
Were Helen and Sean in love? We
had to take our best guesses, based on general consensus.
We then weighted each character based on how long they were on the show.
We felt long-running characters created more impact, and therefore should
weigh more heavily in the calculations. Every character (guest star
and regular alike) started with a weighting of 1. Then, for each
season the character was on the show, they were allocated an additional .25.
So a single-season character like Monica Lindsay counted as 1.25, a guest
star like Thomas Waugh counted as 1, and a multi-season character like Di
Barker counted as 2.50. For the relationships we created a slightly
different weighting system, since relationships are generally shorter in
duration than characters, and yet there was still a need to differentiate
between one-night stands and sustained romances. So every "couple"
started with a weighting of 1, and then received an extra .5 points for
every season their relationship lasted. So Helen & Nikki were 2.5,
Helen & Sean were 1.5, and Helen & Thomas were 1.
After every character and relationship was categorized, we did some
calculations, looking at different categories of characters and
relationships, and comparing the breakdowns of good and evil characters, in
love and insane relationships, and the results are undeniable....
Individual Character Conclusions
As expected, the female characters on Bad Girls are
more likely to be good than the male characters. In
addition, a much higher percentage of male characters are evil
than female characters.
To slice it a slightly different way, we compared the overall
distribution of male and female characters with the gender
distribution just among the good characters. This
comparison also demonstrates that the good characters are more
likely to be female: 77% of all characters are female, but of
the good characters, 80% of them are female.

There is an even more noticeable difference when comparing
straight characters with gay characters. A much higher
percentage of the gay characters are good: 82% versus 59%. This is
particularly significant, given the long tradition of negative
depictions of lesbians onscreen, particularly in films and
television programs about women's prisons.
In addition, when compared to the general character population's
distribution of gay and straight characters, the good characters
are more likely to be gay than the general character population
is likely to be gay.

And, as expected, a higher percentage of prisoner characters are
good than officer characters, and a lower percentage of prisoner
characters are evil than officer characters. This
difference reflects the progressive and humanizing perspective
of the show, which tried, wherever possible, to portray
convicted criminals in a positive and sympathetic light.
And, as with the gender and sexuality comparisons, the
percentage of the good characters who are cons outweighs the
percentage of cons in the character population as a whole, again
reflecting the generally positive depiction of this marginalized
population.

Relationship Conclusions
If it seems like the moral valuations of the individual
characters demonstrate a distinct privileging of gay characters
(and gay women characters in particular), the depiction of
relationships drives that point home even more clearly.
Nearly three-quarters of the gay couples depicted on the show were
portrayed as in loving, positive relationships. Less than
40%
of the straight relationships can boast the same. In
addition, a three-times higher share of straight relationships
were portrayed as completely dysfunctional. Only two brief gay
relationships could be categorized that way (Nikki's brief fling
with Caroline Lewis, and Natalie's seduction of Kris). These numbers reflect the care with
which the show repeatedly undermined stereotypes and negative
depictions of gay relationships.

And while only 32% of the relationships on Bad Girls were
gay relationships, nearly half of the positive, loving
relationships depicted on the show were gay relationships.

Continuing with our examination of the depiction of prison officers
compared with prisoners, the contrast is far more striking when it comes to
relationships. First,
both the prisoner relationship category and the between-the-bars con-screw
relationships have roughly equivalent, quite high percentages of loving relationships.
The prison officers, led by the likes of Di Barker and Karen Betts, seem to
fall into dysfunction again and again, with nearly half of the officer
relationships categorized as dysfunctional.


The breakdown is almost more striking when comparing the breakdown of all
relationships with the breakdown of loving relationships. While half of the relationships depicted on Bad Girls were screw
relationships, less than a third of the loving relationships were screw
relationships. In fact, the screws (and the cons) were both more
likely to experience a loving relationship if they got involved with a
prisoner: 40% of the loving relationships were between-the-bars
relationships, the highest share.

A big thank you to the following folks who really got a kick out
of this crazy convergence of math and television, collaborated
on a fair weighting system, debated the goodness and badness
of various characters, and generally pushed me to the limits of
obsessive analysis: popstalin, DontUWish, Cassandra, Xenaclark,
microsofty, Lisa289, solitasolano, msalt, ekny, Washuai, Jeanna
| |
Gender |
Sexuality |
Morality |
Prison Status |
Weight |
| Al McKenzie |
Female |
Gay |
Evil |
Con |
1.5 |
| Arun Parmar |
Female* |
Gay* |
Good |
Con |
1.25 |
| Barbara Hunt |
Female |
Straight |
Good |
Con |
2 |
| Bev Tull |
Female |
Straight |
Evil |
Con |
2 |
| Buki Lester |
Female |
Straight |
Good |
Con |
1.75 |
| Cassie Tyler |
Female |
Gay |
Good |
Con |
1.25 |
| Colin Hedges |
Male |
Straight |
Good |
Screw |
1.75 |
| Crystal Gordon |
Female |
Straight |
Good |
Con |
2 |
| Darlene Cake |
Female |
Straight |
Good |
Con |
1.75 |
| Denny Blood |
Female |
Gay |
Good |
Con |
2.25 |
| Di Barker |
Female |
Straight |
Evil |
Screw |
2.5 |
| Dominic McAllister |
Male |
Straight |
Good |
Screw |
1.5 |
| Donny Kimber |
Male |
Straight |
Good |
Screw |
1.25 |
| Frances Myers |
Female |
Straight |
Good |
Screw |
1.25 |
| Gina Rossi |
Female |
Straight |
Good |
Screw |
1.25 |
| Helen Stewart |
Female |
Gay |
Good |
Screw |
1.75 |
| Henry Mills |
Male |
Straight |
Good |
Screw |
1.25 |
| Janine Nebeski |
Female |
Straight |
Good |
Con |
1.5 |
| Jim Fenner |
Male |
Straight |
Evil |
Screw |
2.75 |
| Josh Mitchell |
Male |
Straight |
Good |
Screw |
1.5 |
| Joy Masterton |
Female |
Gay |
Good |
Screw |
1.25 |
| Julie Johnston |
Female |
Straight |
Good |
Con |
3 |
| Julie Saunders |
Female |
Straight |
Good |
Con |
3 |
| Karen Betts |
Female |
Straight |
Good |
Screw |
2 |
| Kevin Spiers |
Male |
Straight |
Evil |
Screw |
1 |
| Kris Yates |
Female |
Gay |
Good |
Con |
1.25 |
| Lorna Rose |
Female |
Gay |
Other |
Screw |
1.25 |
| Lou Stoke |
Female |
Straight |
Good |
Screw |
1.25 |
| Malcolm Nicholson |
Male |
Straight |
Evil |
Screw |
1.5 |
| Mandy Goodhue |
Female |
Gay |
Good |
Screw |
1.25 |
| Mark Waddle |
Male |
Straight |
Good |
Screw |
1.5 |
| Maxi Purvis |
Female |
Straight |
Evil |
Con |
1.25 |
| Monica Lindsay |
Female |
Straight |
Good |
Con |
1.25 |
| Natalie Buxton |
Female |
Straight |
Evil |
Con |
1.75 |
| Neil Grayling |
Male |
Gay |
Good |
Screw |
2 |
| Nikki Wade |
Female |
Gay |
Good |
Con |
1.75 |
| Pat Kerrigan |
Female |
Gay |
Good |
Con |
1.5 |
| Phyl Oswyn |
Female |
Straight |
Evil |
Con |
2 |
| Rachel Hicks |
Female |
Straight |
Good |
Con |
1 |
| Roisin Connor |
Female |
Gay |
Good |
Con |
1.25 |
| Rowan Dunlop |
Male |
Straight |
Evil |
Screw |
1.25 |
| Selena Geeson |
Female |
Gay |
Good |
Screw |
1.25 |
| Shaz Wylie |
Female |
Gay |
Other |
Con |
1.5 |
| Sheena Williams |
Female |
Gay |
Good |
Con |
1.25 |
| Shell Dockley |
Female |
Straight |
Evil |
Con |
1.75 |
| Simon Stubberfield |
Male |
Straight |
Evil |
Screw |
1.75 |
| Snowball Merriman |
Female |
Straight |
Evil |
Con |
1.25 |
| Sylvia Hollamby |
Female |
Straight |
Evil |
Screw |
3 |
| Tanya Turner |
Female |
Straight |
Other |
Con |
1 |
| Thomas Waugh |
Male |
Straight |
Good |
Screw |
1 |
| Tina O'Kane |
Female |
Straight |
Good |
Con |
2.5 |
| Virginia O'Kane |
Female |
Straight |
Evil |
Con |
1 |
| Yvonne Atkins |
Female |
Straight |
Good |
Con |
2 |
| Zandra Plackett |
Female |
Straight |
Good |
Con |
1.5 |
*While Arun is a trans woman, she still exists in the world of Larkhall as a
woman. In addition, her interest in Pat indicates at least some level of
bisexuality
| |
Sexuality |
Morality |
Prison Status |
Weight |
| Barbara & Henry |
Straight |
In Love |
Combo |
1.5 |
| Cassie & Roisin |
Gay |
In Love |
Con |
1.5 |
| Di & Barry |
Straight |
Insane |
Screw |
1 |
| Di & Fenner |
Straight |
Insane |
Screw |
1.5 |
| Di & Mark |
Straight |
Insane |
Screw |
1 |
| Di & Neil |
Straight |
Insane |
Screw |
1.5 |
| Frances & Colin |
Straight |
Casual |
Screw |
1 |
| Gina & Mark |
Straight |
In Love |
Screw |
1.5 |
| Helen & Nikki |
Gay |
In Love |
Combo |
2.5 |
| Helen & Sean |
Straight |
In Love |
Screw |
1.5 |
| Helen & Thomas |
Straight |
Casual |
Screw |
1 |
| Janine & Donny |
Straight |
In Love |
Combo |
1.5 |
| Josh & Crystal |
Straight |
In Love |
Combo |
2.5 |
| Karen & Fenner |
Straight |
Insane |
Screw |
1.5 |
| Karen & Mark |
Straight |
Casual |
Screw |
1.5 |
| Karen & Richie |
Straight |
Insane |
Screw |
1 |
| Kris & Natalie |
Gay |
Insane |
Con |
1 |
| Kris & Selena |
Gay |
In Love |
Combo |
1.5 |
| Lou & Rowan |
Straight |
Insane |
Screw |
1.5 |
| Neil & Bobby Hollamby |
Gay |
Casual |
Screw |
1 |
| Neil & Tony |
Gay |
In Love |
Screw |
1.5 |
| Nikki & Caroline |
Gay |
Insane |
Con |
1 |
| Nikki & Trisha |
Gay |
In Love |
Con |
1 |
| Pat & Sheena |
Gay |
In Love |
Con |
1 |
| Rachel & Fenner |
Straight |
Insane |
Combo |
1 |
| Roisin & Aiden |
Straight |
In Love |
Con |
1 |
| Shaz & Denny |
Gay |
In Love |
Con |
2.5 |
| Shell & Denny |
Gay |
Casual |
Con |
1 |
| Shell & Fenner |
Straight |
Insane |
Combo |
1.5 |
| Sylvia & Bobby Hollamby Sr |
Straight |
In Love |
Screw |
3 |
| Sylvia & Malcolm |
Straight |
Insane |
Screw |
1 |
| Tanya & Malcolm |
Straight |
Insane |
Combo |
1 |
| Yvonne & Charlie |
Straight |
Insane |
Con |
1 |
| Yvonne & Colin |
Straight |
Casual |
Combo |
1 |
| Zandra & Robin |
Straight |
Insane |
Con |
1 |